{"id":40762,"date":"2025-05-12T11:24:51","date_gmt":"2025-05-12T10:24:51","guid":{"rendered":"https:\/\/lenational.dz\/?p=40762"},"modified":"2025-05-12T11:24:54","modified_gmt":"2025-05-12T10:24:54","slug":"la-gare-ain-lahdjar-une-comedie-dramatique-entre-satire-sociale-et-hommage-au-desert-algerien","status":"publish","type":"post","link":"https:\/\/lenational.dz\/?p=40762","title":{"rendered":"\u00ab\u00a0La Gare A\u00efn Lahdjar\u00a0\u00bb : une com\u00e9die dramatique entre satire sociale et hommage au d\u00e9sert alg\u00e9rien"},"content":{"rendered":"\n

Alger a vibr\u00e9 au rythme du cin\u00e9ma ce samedi avec la pr\u00e9sentation en avant-premi\u00e8re du long m\u00e9trage La Gare A\u00efn Lahdjar<\/em>, nouvelle r\u00e9alisation du cin\u00e9aste alg\u00e9rien Lotfi Bouchouchi. Cette \u0153uvre, \u00e0 la fois comique et dramatique, s\u2019est d\u00e9voil\u00e9e au public de la Cin\u00e9math\u00e8que d\u2019Alger en pr\u00e9sence du ministre de la Culture et des Arts, Zouhir Ballalou, et d\u2019un parterre de cin\u00e9philes, critiques, professionnels du 7e art et \u00e9tudiants des \u00e9coles sp\u00e9cialis\u00e9es. Cette projection \u00e9v\u00e9nement marque un nouveau jalon dans le parcours d\u2019un r\u00e9alisateur d\u00e9j\u00e0 salu\u00e9 pour son regard aff\u00fbt\u00e9 sur la soci\u00e9t\u00e9 alg\u00e9rienne contemporaine.<\/p>\n\n\n\n

Produit par le Centre alg\u00e9rien du d\u00e9veloppement du cin\u00e9ma (CADC) en collaboration avec le Studio DS, le film est port\u00e9 par un solide soutien institutionnel et entend s\u00e9duire un public large, gr\u00e2ce \u00e0 son humour subtil, sa finesse d\u2019analyse sociale et son esth\u00e9tique soign\u00e9e. La Gare A\u00efn Lahdjar<\/em> s\u2019inscrit dans une veine r\u00e9solument populaire, tout en restant fid\u00e8le \u00e0 une d\u00e9marche d\u2019auteur ancr\u00e9e dans les r\u00e9alit\u00e9s du pays.<\/p>\n\n\n\n

Un village oubli\u00e9, une gare en ruine et des r\u00eaves de reconqu\u00eate<\/strong><\/p>\n\n\n\n

Le r\u00e9cit se d\u00e9roule dans une bourgade isol\u00e9e aux confins du d\u00e9sert alg\u00e9rien, oubli\u00e9e des plans de d\u00e9veloppement et condamn\u00e9e \u00e0 l\u2019inertie. Le c\u0153ur symbolique de cette communaut\u00e9 : une gare d\u00e9saffect\u00e9e, vestige d\u2019un pass\u00e9 o\u00f9 les trains s\u2019arr\u00eataient encore, o\u00f9 le mouvement existait, o\u00f9 l\u2019avenir semblait possible. \u00c0 travers cette m\u00e9taphore de l\u2019immobilisme, Lotfi Bouchouchi construit une satire douce-am\u00e8re de la bureaucratie, de l\u2019oubli des territoires p\u00e9riph\u00e9riques, mais aussi des absurdit\u00e9s qui en d\u00e9coulent.<\/p>\n\n\n\n

Les habitants, bien que confront\u00e9s \u00e0 l\u2019inaction de l\u2019\u00c9tat, se prennent \u00e0 r\u00eaver de faire revivre leur gare, et avec elle, leur dignit\u00e9. C\u2019est cette tentative collective, parfois maladroite, souvent \u00e9mouvante, toujours humaine, qui structure le film. Sous une apparente l\u00e9g\u00e8ret\u00e9, La Gare A\u00efn Lahdjar<\/em> livre une critique poignante de l\u2019inertie institutionnelle, de l\u2019isolement des r\u00e9gions recul\u00e9es, mais aussi une ode \u00e0 la r\u00e9silience des communaut\u00e9s.<\/p>\n\n\n\n

Un casting g\u00e9n\u00e9reux et une direction artistique ma\u00eetris\u00e9e<\/strong><\/p>\n\n\n\n

L\u2019un des grands points forts du film r\u00e9side dans la richesse de sa distribution. Lotfi Bouchouchi a su rassembler une g\u00e9n\u00e9ration d\u2019acteurs confirm\u00e9s et de jeunes talents qui se donnent corps et \u00e2me \u00e0 leur r\u00f4le. Nabil Asli, Houria Behloul, Yaakoub Guenfoud, Yasmine Kerkache, Kamel Rouini, Rachid Ben Goudifa, Mourad Saouli, Mebrouk Ferroudji, Ahmed Deloum et Mohamed Kadri livrent des prestations sinc\u00e8res et nuanc\u00e9es, contribuant \u00e0 donner au film son \u00e9paisseur humaine.<\/p>\n\n\n\n

La musique originale, sign\u00e9e par Aboubakr Maatallah, accompagne avec justesse les images, apportant une dimension \u00e9motionnelle \u00e0 l\u2019intrigue. Le sc\u00e9nario, \u00e9crit par Rachid Ben Brahim puis r\u00e9\u00e9crit par le r\u00e9alisateur, allie humour, po\u00e9sie du quotidien et tension sociale, dans un \u00e9quilibre rare. L\u2019image, quant \u00e0 elle, capte avec tendresse et esth\u00e9tisme les paysages arides du sud alg\u00e9rien, donnant au d\u00e9sert une voix, une pr\u00e9sence presque charnelle.<\/p>\n\n\n\n

Une \u0153uvre au service du cin\u00e9ma national<\/strong><\/p>\n\n\n\n

La sortie nationale du film est annonc\u00e9e pour la fin du mois, et la productrice ex\u00e9cutive du Studio DS, Dahlia Antri, a assur\u00e9 que la distribution en salles obscures couvrira l\u2019ensemble du territoire. Un choix assum\u00e9 qui t\u00e9moigne d\u2019une volont\u00e9 de d\u00e9mocratiser l\u2019acc\u00e8s au cin\u00e9ma d\u2019auteur tout en valorisant une production nationale de qualit\u00e9. Cette initiative s\u2019inscrit dans une dynamique de relance du secteur cin\u00e9matographique en Alg\u00e9rie, avec le soutien actif du minist\u00e8re de la Culture et des Arts.<\/p>\n\n\n\n

\u00c0 l\u2019issue de la projection, le ministre Zouhir Ballalou a remis des distinctions honorifiques au r\u00e9alisateur et \u00e0 la productrice, saluant le travail collectif derri\u00e8re ce projet ambitieux. Le d\u00e9bat qui a suivi, anim\u00e9 par un public curieux et engag\u00e9, a permis d\u2019aborder les enjeux artistiques, sociaux et politiques du film. Lotfi Bouchouchi, fid\u00e8le \u00e0 sa vision humaniste et lucide, y a d\u00e9fendu un cin\u00e9ma utile, sensible et profond\u00e9ment enracin\u00e9 dans la r\u00e9alit\u00e9 alg\u00e9rienne.<\/p>\n\n\n\n

Un cin\u00e9ma de terrain, au plus pr\u00e8s des invisibles<\/strong><\/p>\n\n\n\n

Avec La Gare A\u00efn Lahdjar<\/em>, Lotfi Bouchouchi confirme son attachement \u00e0 un cin\u00e9ma de proximit\u00e9, capable de raconter les marges, de donner la parole \u00e0 ceux que l\u2019on entend rarement, de mettre en lumi\u00e8re des r\u00e9cits invisibles. Sans c\u00e9der au mis\u00e9rabilisme, il signe une \u0153uvre dr\u00f4le, touchante et pertinente, qui r\u00e9sonne avec les pr\u00e9occupations d\u2019un pays en mutation.<\/p>\n\n\n\n

En offrant au public cette com\u00e9die dramatique ancr\u00e9e dans la chaleur humaine et l\u2019ironie sociale, Bouchouchi continue de tracer une voie singuli\u00e8re dans le paysage cin\u00e9matographique maghr\u00e9bin. Il fait de cette gare perdue dans le d\u00e9sert un lieu d\u2019espoir, un symbole de r\u00e9sistance, et surtout, un miroir fid\u00e8le de la soci\u00e9t\u00e9 alg\u00e9rienne contemporaine.<\/p>\n","protected":false},"excerpt":{"rendered":"

Alger a vibré au rythme du cinéma ce samedi avec la présentation en avant-première du long métrage La Gare Aïn Lahdjar, nouvelle réalisation du cinéaste algérien Lotfi Bouchouchi. Cette œuvre, à la fois comique et dramatique, s’est dévoilée au public de la Cinémathèque d’Alger en présence du ministre de la Culture et des Arts, Zouhir Ballalou, et d’un parterre de…<\/p>\n","protected":false},"author":2,"featured_media":40763,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[3,9],"tags":[],"class_list":["post-40762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-act","category-cult"],"gutentor_comment":0,"yoast_head":"\n"La Gare A\u00efn Lahdjar" : une com\u00e9die dramatique entre satire sociale et hommage au d\u00e9sert alg\u00e9rien - lenational<\/title>\n<meta name=\"description\" content=\"Actualit\u00e9s - 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